{"id":6555,"date":"2024-02-29T03:05:30","date_gmt":"2024-02-29T02:05:30","guid":{"rendered":"https:\/\/www.brokenmount.com\/bm\/2024\/02\/29\/what-is-five-act-structure-and-how-do-you-use-it\/"},"modified":"2024-02-29T03:05:30","modified_gmt":"2024-02-29T02:05:30","slug":"what-is-five-act-structure-and-how-do-you-use-it","status":"publish","type":"post","link":"https:\/\/www.brokenmount.com\/bm\/2024\/02\/29\/what-is-five-act-structure-and-how-do-you-use-it\/","title":{"rendered":"What is Five-Act Structure and How Do You Use It?"},"content":{"rendered":"<div><img decoding=\"async\" src=\"https:\/\/nofilmschool.com\/media-library\/what-is-five-act-structure-and-how-do-you-use-it.jpg?id=34050841&amp;width=1200&amp;height=800&amp;coordinates=0%2C0%2C92%2C0\"><\/p>\n<p>\nHave you ever sat to write but had no idea what should happen when in your story? While tools like <a href=\"https:\/\/nofilmschool.com\/How-to-outline-a-screenplay\">outlines<\/a> and <a href=\"https:\/\/nofilmschool.com\/film-treatment\">treatments<\/a> help, it all boils down to how your structure your story.\n<\/p>\n<p>\nStory structure is not mandatory but many writers find it incredibly useful and comforting when they sit down to work. Outside of that, you may need to know it as you take professional meetings for staffing. Today, I want to go over one of the less talked about structures five act, and let you know how yo use it and why.\n<\/p>\n<p>\nSo let&#8217;s fade in!<\/p>\n<hr>\n<h1 id=\"What+is+Five-act+Structure++\" name=\"What+is+Five-act+Structure++\">\nWhat is Five-act Structure?<br \/>\n<\/h1>\n<p>\nStory structure marks the <a href=\"https:\/\/nofilmschool.com\/beat-sheet-template\">beats<\/a> or moments in a play, tv show, or movie that move along the plot. The structure itself comes from Aristotle&#8217;s <em>Poetics<\/em>. In 350 BCE, Aristotle wrote that the plot structure of a drama is formed like a basic triangle.\n<\/p>\n<p>\nWe call that the rhetorical triangle.\n<\/p>\n<p class=\"shortcode-media shortcode-media-rebelmouse-image\" data-tc-id=\"w-0.3314654950308844\" tc-textcontent=\"true\"><img decoding=\"async\" alt=\"The-rhetorical-triangle-1024x1024\" class=\"rm-shortcode\" data-rm-shortcode-id=\"57abe232fa7a8d6dfe2738cb0b6498c0\" data-rm-shortcode-name=\"rebelmouse-image\" id=\"262be\" loading=\"lazy\" src=\"https:\/\/nofilmschool.com\/media-library\/the-rhetorical-triangle-1024x1024.jpg?id=34065525&amp;width=980\"><small class=\"image-media media-photo-credit\" data-tc-id=\"w-0.15983227965870417\" placeholder=\"Add Photo Credit...\" tc-textcontent=\"true\">Credit: The Visual Communication Guy<\/small>\n<\/p>\n<p>\nOur traditional three acts come from this triangle. But people wanted more nuance as plots got more complicated. While traditionally marked in three acts, a German playwright and novelist named Gustav Freytag wrote a book called <em>Die Technik des Dramas. <\/em>In it, he put forth the five-act dramatic structure.\n<\/p>\n<p>\nToday, it&#8217;s referred to as &#8220;Freytag&#8217;s pyramid.&#8221;\n<\/p>\n<p class=\"shortcode-media shortcode-media-rebelmouse-image\" data-tc-id=\"w-0.7149070152730641\" tc-textcontent=\"true\"><img decoding=\"async\" alt=\"Five-act-structure\" class=\"rm-shortcode\" data-rm-shortcode-id=\"6b38039210ad05d38d6ea2dfdf072f19\" data-rm-shortcode-name=\"rebelmouse-image\" id=\"d748c\" loading=\"lazy\" src=\"https:\/\/nofilmschool.com\/media-library\/five-act-structure.png?id=34050713&amp;width=980\"><small class=\"image-media media-photo-credit\" data-tc-id=\"w-0.6185285937524967\" placeholder=\"Add Photo Credit...\" tc-textcontent=\"true\">Credit: Creative Prototypes LLC<\/small>\n<\/p>\n<h2 id=\"Who+uses+Freytag+s+Pyramid++\" name=\"Who+uses+Freytag+s+Pyramid++\">\nWho uses Freytag&#8217;s Pyramid?<br \/>\n<\/h2>\n<p>\nWilliam Shakespeare. That should be good enough for you.\n<\/p>\n<p>\nBut I am aware Shakespeare didn&#8217;t sign any overall deals at Netflix or Amazon. So instead, let&#8217;s talk about Vince Gilligan and <em>Breaking Bad<\/em>.\n<\/p>\n<p>\nGilligan used the five-act structure in every episode of <em>Breaking Bad<\/em>. Including the <a href=\"https:\/\/nofilmschool.com\/Download-Breaking-Bad-pilot-script\">pilot<\/a>.\n<\/p>\n<p>\nIt&#8217;s also used in the <em>Grey&#8217;s Anatomy<\/em> pilot as well. In fact. Many TV pilots you read and write will be done with five acts.\n<\/p>\n<p>\nIn terms of films, check out things like <em>Erin Brokovich<\/em> and <em>Gladiator<\/em>. Writer <a href=\"https:\/\/www.storymastery.com\/story\/screenplay-structure-five-key-turning-points-successful-scripts\/\" target=\"_blank\" rel=\"noopener\">Michael Hauge<\/a> diagrams both movies as having five-point plot moments they defy the typical act structure seen in most films.\n<\/p>\n<p>\nSo what should happen in each act?\n<\/p>\n<h2 id=\"What+are+the+five+acts+inside+Freytag+s+Pyramid++\" name=\"What+are+the+five+acts+inside+Freytag+s+Pyramid++\">\nWhat are the five acts inside Freytag&#8217;s Pyramid?<br \/>\n<\/h2>\n<p>\nWhile Freytag triangle was created to be used on plays, we&#8217;re evolved as a society and now try to use them for film and television. Let&#8217;s diagram each part of the triangle, which is more like a parallelogram, and see how they can help you map your story.\n<\/p>\n<p>\nOh, an since we&#8217;re writing screenplays, I switched up some of the titles so they&#8217;ll be more useful to writers.\n<\/p>\n<ol>\n<li>The Tag: Start exciting <\/li>\n<li>Act One: Exposition for the Audience <\/li>\n<li>Act Two: Conflicts appear  <\/li>\n<li>Act Three: Things get real bad <\/li>\n<li>Act Four: Everything&#8217;s downhill <\/li>\n<li>Act Five: Tying up loose ends <\/li>\n<li>The D\u00e9nouement: Where do we go from here? <\/li>\n<\/ol>\n<h2 id=\"What+about+page+counts+for+those+acts++\" name=\"What+about+page+counts+for+those+acts++\">\nWhat about page counts for those acts?<br \/>\n<\/h2>\n<p>\nHere&#8217;s a few page-centric goals for you to try to hit. Know that these page numbers will totally vary when it comes to length of teasers, tags, and how many characters you want within the story.\n<\/p>\n<ul>\n<li><strong>Teaser (1-3)<\/strong><\/li>\n<li><strong>Act 1:  p3 to p 10<\/strong><\/li>\n<li><strong>Act 2:  p10 to p20<\/strong><\/li>\n<li><strong>Act 3:  p21 to 32<\/strong><\/li>\n<li><strong>Act 4:  p33 to p41<\/strong><\/li>\n<li><strong>Act 5:  p42 to p52<\/strong><\/li>\n<li>\n<strong>Tag (53-55 pages) (END)  <\/strong>\n<\/li>\n<\/ul>\n<h2 id=\"How+to+format+five+act+structure+in+TV\" name=\"How+to+format+five+act+structure+in+TV\">\nHow to format five act structure in TV<br \/>\n<\/h2>\n<p>\nThe format for a one-hour series episode is fairly easy. At the beginning of each act, writers need to center and underline where we are in the script. The same goes for the end of the act.\n<\/p>\n<p>\nIt should look like this:\n<\/p>\n<p style=\"text-align:center\">\n<u><strong>TEASER<\/strong><\/u>\n<\/p>\n<p style=\"text-align:center\">\n*The scenes happen*\n<\/p>\n<p style=\"text-align:center\">\n<u><strong>END TEASER<\/strong><\/u>\n<\/p>\n<p style=\"text-align:center\">\n<u><strong>ACT ONE<\/strong><\/u>\n<\/p>\n<p style=\"text-align:center\">\n*The scenes happen*\n<\/p>\n<p style=\"text-align:center\">\n<u><strong>END OF ACT ONE<\/strong><\/u>\n<\/p>\n<p>\nNow that you have the looks, here are all the checkmarks you will need: TEASER, END TEASER, ACT ONE, END ACT ONE, ACT TWO, END ACT TWO, ACT THREE, END ACT THREE, ACT FOUR, END ACT FOUR, and then ACT FIVE, END OF ACT FIVE and the TAG.\n<\/p>\n<p>\nOnce your show is done, you close out with a centered and underlined END OF SHOW, END OF EPISODE, or THE END. It&#8217;s up to you!\n<\/p>\n<p>\n<strong>NOTE:<\/strong> <em>Most streaming and cable shows in the current market place no longer mark when teasers or acts start and end. TV scripts are now written like movies, albeit with a TV episode&#8217;s average page count of 55 to 62 pages. (See Game of Thrones as an example of this formatting.) They still employ five acts &#8212; or four acts and an end-credits tag as the fifth &#8212; they just do not denote the start or end of the acts. Cool? Cool.<\/em>\n<\/p>\n<h2 id=\"But+what+happens+in+each+act+\" name=\"But+what+happens+in+each+act+\">\nBut what happens in each act?<br \/>\n<\/h2>\n<p>\nLet&#8217;s diagram each act so you know what you need to provide the audience. This goes for movies and television.\n<\/p>\n<h3 id=\"The+Tag++Start+exciting+\" name=\"The+Tag++Start+exciting+\">\nThe Tag: Start exciting<br \/>\n<\/h3>\n<p>\nNo matter if you&#8217;re a movie or a tv show, your <a href=\"https:\/\/nofilmschool.com\/best-movie-opening-scenes\">opening scene<\/a> is the most important one of the screenplay. This is where you hook the reader and get people excited to make the TV show or movie. Your tag should give us a snippet of the characters, their world, and their problems.\n<\/p>\n<p>\nLike this scene from <em>The Sopranos<\/em>.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.6898703498154743\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"0b03aae49303fb6074b0f4dc41ed9660\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/r1myharpKIE?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>Act One:<\/strong> <a href=\"https:\/\/nofilmschool.com\/how-to-write-exposition\">Exposition<\/a> for the Audience\n<\/p>\n<p>\nThis is where we can meet the extended family of characters and understand how the world works. In <em>The Wire <\/em>its when we understand which cops do what, and who the drug dealers are in this arena. In <em>Philadelphia<\/em>, it&#8217;s the juxtaposition of the two different lawyers and their lifestyles.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.8484785897153235\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"380b67314a541ca0adf5a2f34b3a58b8\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/zmIvu1yg3bU?rel=0&amp;start=24\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>Act Two:<\/strong> Conflicts appear\n<\/p>\n<p>\nThe world needs to close in on the people we meet. In <em>The Dark Knight<\/em>, this is where we see Joker as a real threat to an already-overextended Batman. In <em>The Americans, <\/em>it&#8217;s where we find out the Jennings&#8217; neighbor is an FBI agent and the Russian spies&#8217; mission gets more complicated.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.20729691428060648\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"c63c3e009509d0780480b4f8a107a1b0\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/D3xvFkX4ljc?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>Act Three:<\/strong> Things get real bad\n<\/p>\n<p>\nDrama is all about conflict. And you have to keep making things worse and worse on your characters to see how they will hold up. In a show like <em>This Is Us<\/em>, it&#8217;s when characters have their emotional breakdowns in the past and future. When we tear their careers from them and complicate their pregnancies. In a movie, this is where we need to find the motivation for a character in strife. Like when Rusty finds Danny Ocean&#8217;s ex-wife at the casino and they realize they need an insane magnet to break into it.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.10870802444215366\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"0ede3265551eddd02bed75a08f8f333b\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/qxbCG5Z8s-U?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>Act Four:<\/strong> Everything&#8217;s downhill\n<\/p>\n<p>\nYour characters need to win and lose. but we learn more about them from losing. In <em>Invincible<\/em> (go Eagles!), this occurs when Vince thinks he won&#8217;t make the team. He&#8217;s getting his ass kicked all over in life and is not sure he can make it. In a show like <em>Lost<\/em>, it&#8217;s when people make their peace with being stuck on the island. there&#8217;s fear, in-fighting, and a smoke monster.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.734631718640673\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"76f61b690200f401c1f520cca543d812\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/J6oIGF9QL08?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>Act Five:<\/strong> Tying up loose ends\n<\/p>\n<p>\nHere&#8217;s where you find your endings. You pick moments that tie it all together and leave people with your <a href=\"https:\/\/nofilmschool.com\/script-theme-examples\">theme<\/a>. In a show like the <em>Veronica Mars<\/em> pilot, it&#8217;s when she solves the mystery of the week and gets Weavel to leave her new friend alone. And turns the tables on the cops.\n<\/p>\n<p>\nIn a movie, like in <em>Die Hard<\/em>, it&#8217;s when John McClane kills Gruber and saves his wife.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.0003471325612631748\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"1f8c2f3805c3c3a2a5539fd6dbc14077\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/2hYakDtFXYk?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<p>\n<strong>The Tag or D\u00e9nouement:<\/strong> Where do we go from here?\n<\/p>\n<p>\nFor TV, the tag is super important. You want to show that your idea has legs to last 100 episodes. For <em>Mad Men<\/em>, it was the reveal Don has a family and there&#8217;s so much more to this guy than meets the eye. In <em>Back to the Future<\/em>, it&#8217;s learning that Marty may need to continue his adventures to save his kids.\n<\/p>\n<p class=\"shortcode-media shortcode-media-youtube\" data-tc-id=\"w-0.5338145464974544\" tc-textcontent=\"true\"><span class=\"rm-shortcode\" data-rm-shortcode-id=\"44423cf7076e89cbab3db5c6e9bd99ba\" style=\"display:block;position:relative;padding-top:56.25%;\"><iframe loading=\"lazy\" frameborder=\"0\" height=\"auto\" lazy-loadable=\"true\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/15FlJENWu54?rel=0\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" width=\"100%\"><\/iframe><\/span><\/p>\n<h2 id=\"What+s+next++Learn+three+act+structure+\" name=\"What+s+next++Learn+three+act+structure+\">\n<strong>What&#8217;s next? <a href=\"https:\/\/nofilmschool.com\/Three-act-structure\">Learn three act structure<\/a>!<\/strong><br \/>\n<\/h2>\n<p dir=\"ltr\">\nThat\u2019s where the three-act structure comes into play. Most movies made today are based off three-act screenplays. And the <a class=\"external\" href=\"https:\/\/www.ancientgreece.com\/s\/Theatre\/\" target=\"_blank\" rel=\"noopener\">three-act structure has its roots in performances of old<\/a>. Why does everyone use it?\n<\/p>\n<p dir=\"ltr\">\nBecause it works, it&#8217;s time-tested. And best of all? It&#8217;s easy to master.\n<\/p>\n<\/div>\n<p>Author: Jason Hellerman<br \/>\nThis article comes from <i>No Film School<\/i> and can be <a href=\"https:\/\/nofilmschool.com\/5-act-structure\" target=\"_blank\" rel=\"noopener\"><b>read on the original site.<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Have you ever sat to write but had no idea what should happen when in your story? While tools like outlines and treatments help, it&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"categories":[35],"tags":[38,37,43,42,39,40,44,41,36],"class_list":["post-6555","post","type-post","status-publish","format-standard","hentry","category-video-news","tag-editing","tag-film","tag-guide","tag-info","tag-news","tag-tips","tag-topics","tag-tricks","tag-video"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Brokenmount","author_link":"https:\/\/www.brokenmount.com\/bm\/author\/sysop\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/www.brokenmount.com\/bm\/category\/video-news\/\" rel=\"category tag\">Video and Film News<\/a>","rttpg_excerpt":"Have you ever sat to write but had no idea what should happen when in your story? While tools like outlines and treatments help, it&hellip;","_links":{"self":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/6555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/comments?post=6555"}],"version-history":[{"count":0,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/6555\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/media?parent=6555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/categories?post=6555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/tags?post=6555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}