{"id":2001,"date":"2022-01-06T04:07:03","date_gmt":"2022-01-06T09:07:03","guid":{"rendered":"https:\/\/www.brokenmount.com\/bm\/2022\/01\/06\/let-these-real-world-dps-tell-you-what-makes-sony-venice-2-so-special\/"},"modified":"2022-01-06T04:07:03","modified_gmt":"2022-01-06T09:07:03","slug":"let-these-real-world-dps-tell-you-what-makes-sony-venice-2-so-special","status":"publish","type":"post","link":"https:\/\/www.brokenmount.com\/bm\/2022\/01\/06\/let-these-real-world-dps-tell-you-what-makes-sony-venice-2-so-special\/","title":{"rendered":"Let These Real-World DPs Tell You What Makes Sony VENICE 2 So Special"},"content":{"rendered":"<div>\n<p><a href=\"https:\/\/nofilmschool.com\/Sony-venice-2-testimonials\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/amat_bts.jpg?itok=IH_tGZK4\" width=\"400\" height=\"225\" alt=\"\"><\/a><\/p>\n<p>We chat with some amazing DPs about what makes Sony VENICE 2 so special for cinematographers.<\/p>\n<p>\nWe\u2019re living in the golden age of digital camera technology. It\u2019s a true revolution as brands are continuing to push out new cameras left and right. However, as great as it might be for both consumers and professionals alike, there\u2019s something to be said about actually taking the time to sit down, chat and review what makes these new cameras so great and unique.\n<\/p>\n<p>\nSony VENICE 2 was recently released to great fanfare. In addition, Sony just released its latest film shot with VENICE 2. The film, <em>Take Me<\/em>, is shot by director and cinematographer Gonzalo Amat, ASC.\n<\/p>\n<p>\nAmat is known for his past work as the cinematographer on <em>Man In the High Castle<\/em> and his work with the original Sony VENICE on <em>Outer Banks 2<\/em>. <em>Take Me<\/em> was shot in Brooklyn, New York, using only available light. His tools were a Sony VENICE 2 8K digital cinema camera and Zeiss Radiance Prime lenses.\n<\/p>\n<p>\nYou can watch the film below!\n<\/p>\n<\/p>\n<p><a href=\"https:\/\/nofilmschool.com\/Sony-venice-2-testimonials\">Read More<\/a><\/p>\n<\/div>\n<p>Author: Sponsored Content<br \/>\nThis article comes from <i>No Film School<\/i> and can be <a href=\"https:\/\/nofilmschool.com\/Sony-venice-2-testimonials\" target=\"_blank\" rel=\"noopener\"><b>read on the original site.<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We chat with some amazing DPs about what makes Sony VENICE 2 so special for cinematographers. We\u2019re living in the golden age of digital camera&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"categories":[35],"tags":[38,37,43,42,39,40,44,41,36],"class_list":["post-2001","post","type-post","status-publish","format-standard","hentry","category-video-news","tag-editing","tag-film","tag-guide","tag-info","tag-news","tag-tips","tag-topics","tag-tricks","tag-video"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Brokenmount","author_link":"https:\/\/www.brokenmount.com\/bm\/author\/sysop\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/www.brokenmount.com\/bm\/category\/video-news\/\" rel=\"category tag\">Video and Film News<\/a>","rttpg_excerpt":"We chat with some amazing DPs about what makes Sony VENICE 2 so special for cinematographers. We\u2019re living in the golden age of digital camera&hellip;","_links":{"self":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/2001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/comments?post=2001"}],"version-history":[{"count":0,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/2001\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/media?parent=2001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/categories?post=2001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/tags?post=2001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}