{"id":1755,"date":"2021-12-17T17:54:54","date_gmt":"2021-12-17T22:54:54","guid":{"rendered":"https:\/\/www.brokenmount.com\/bm\/2021\/12\/17\/key-grip-sanjay-sami-breaks-down-the-impossible-70-second-take-from-the-french-dispatch\/"},"modified":"2021-12-17T17:57:13","modified_gmt":"2021-12-17T22:57:13","slug":"key-grip-sanjay-sami-breaks-down-the-impossible-70-second-take-from-the-french-dispatch","status":"publish","type":"post","link":"https:\/\/www.brokenmount.com\/bm\/2021\/12\/17\/key-grip-sanjay-sami-breaks-down-the-impossible-70-second-take-from-the-french-dispatch\/","title":{"rendered":"Key Grip Sanjay Sami Breaks Down the Impossible 70-Second Take from &#8216;The French Dispatch&#8217;"},"content":{"rendered":"<div>\n<p><a href=\"https:\/\/nofilmschool.com\/sanjay-sami-long-take-french-dispatch\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/nofilmschool.com\/sites\/default\/files\/styles\/article_medium\/public\/the_french_dispatch_police_sequence__0.png?itok=p5rDtLMu\" width=\"400\" height=\"225\" alt=\"\"><\/a><\/p>\n<p>Long takes are hard. Mix that with the ambitious mind of Wes Anderson, and you have yourself one tough obstacle. <\/p>\n<p dir=\"ltr\">\nYou know a Wes Anderson film when you see it. His animation-influenced aesthetic is undeniably unique, bringing precise and zippy camera moves that he was able to master on his miniature sets on his stop-motion productions to his live-action films. The blend of animated camera movement to live-action is becoming increasingly popular, but boy, replicating a practical camera movement in real life can be quite the challenge.\n<\/p>\n<p dir=\"ltr\">\nIn Anderson\u2019s newest film, <em>The French Dispatch<\/em>, an anthology of short films about a Sunday supplement to a nonexistent Kansas newspaper, Anderson\u2019s love of complicated camera movements is on full display. The final sequence features a near impossible 70-second tracking shot that the film\u2019s key grip, Sanjay Sami, describes as \u201cthe most complicated shot I\u2019ve ever worked on in my life.\u201d\n<\/p>\n<p dir=\"ltr\">\n<p><a href=\"https:\/\/nofilmschool.com\/sanjay-sami-long-take-french-dispatch\">Read More<\/a><\/p>\n<\/div>\n<p>Author: Alyssa Miller<br \/>\nThis article comes from <i>No Film School<\/i> and can be <a href=\"https:\/\/nofilmschool.com\/sanjay-sami-long-take-french-dispatch\" target=\"_blank\" rel=\"noopener\"><b>read on the original site.<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Long takes are hard. Mix that with the ambitious mind of Wes Anderson, and you have yourself one tough obstacle. You know a Wes Anderson&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_customify_content_layout":"","_customify_sidebar":"","_customify_page_header_display":"","_customify_disable_header":"","_customify_disable_header_top":"","_customify_disable_header_main":"","_customify_disable_header_bottom":"","_customify_disable_page_title":"","_customify_disable_content_vertical_padding":"","_customify_disable_footer_top":"","_customify_disable_footer_main":"","_customify_disable_footer_bottom":"","_customify_breadcrumb_display":"","_customify_header_transparent_display":"","footnotes":""},"categories":[35],"tags":[38,37,43,42,39,40,44,41,36],"class_list":["post-1755","post","type-post","status-publish","format-standard","hentry","category-video-news","tag-editing","tag-film","tag-guide","tag-info","tag-news","tag-tips","tag-topics","tag-tricks","tag-video"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Brokenmount","author_link":"https:\/\/www.brokenmount.com\/bm\/author\/sysop\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/www.brokenmount.com\/bm\/category\/video-news\/\" rel=\"category tag\">Video and Film News<\/a>","rttpg_excerpt":"Long takes are hard. Mix that with the ambitious mind of Wes Anderson, and you have yourself one tough obstacle. You know a Wes Anderson&hellip;","_links":{"self":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/1755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/comments?post=1755"}],"version-history":[{"count":1,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/1755\/revisions"}],"predecessor-version":[{"id":1760,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/posts\/1755\/revisions\/1760"}],"wp:attachment":[{"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/media?parent=1755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/categories?post=1755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brokenmount.com\/bm\/wp-json\/wp\/v2\/tags?post=1755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}