What began as a largely synth-driven, hybrid score for Epic Pictures’ new sci-fi film, Space/Time, took an unexpected turn late in the filmmaking process when…
Trust us when we say this, audio will make or break your projects. Well, maybe not literally break your projects. But not recording quality audio…
One of the things that I find so cool about filmmaking is that three different directors can tackle the same subject, and you can get…
As a resident of Los Angeles, I am always hoping to see production come back in droves. We’ve seen it leave over the last ten…
If you read this site a lot, you know my all-time favorite director is Steven Spielberg. I think he’s the best to ever do it,…
If you’ve ever recorded something you liked, opened your editor, and then… watched the momentum disappear, this is for you. In this Adobe MAX session,…
In this episode of the No Film School Podcast, Charles Haine sits down with documentary co-directors Geneva Peschka and Anna Andersen to discuss their latest…
The Western genre is defined by its iconic gunfights, moments of high tension, dramatic stakes, and often, incredible choreography. From dusty main streets to rocky…
Christopher Nolan’s The Prestige is a unique entry in his filmography. Between the blockbuster ambition of Batman Begins and The Dark Knight, this 2006 period…
Sure, we’d all love to have some benevolent benefactors financing our films and projects who would handle all of these things for us, but for…
