From custom lighting rigs to capturing rocks in IMAX, DP Larkin Seiple breaks down the cinematography of Everything Everywhere All at Once.
The modern masterpiece Everything Everywhere All at Once is the gift that keeps on giving. From the emotional journey of each character from each universe to the breathtaking homages to the movies of our collective memory, each viewing of the film gives us something new to love and appreciate.
I’ve said it once, and I will say it again. This movie is made to celebrate the chaotically beautiful art of filmmaking. We’ve sat down and picked at the brains of writers and directors Daniel Kwan and Daniel Scheinert (collectively known as Daniels) on the No Film School Podcast, and have read and watched almost every interview that breaks down our favorite scenes from the movie. But one thing we haven’t focused on enough is the brilliant cinematography behind the masterpiece.
Author: Alyssa Miller
This article comes from No Film School and can be read on the original site.
